• 2014 Forest Hills Drive Download

I would always look forward to my sporadic, Tuesday afternoon trips to Best Buy. It would happen every few months, whenever my favorite artist decided to ask for my support in the form of a $9.99 compact disc. I’d imagine this is how my father purchased albums in his heyday; I laugh at the thought of him walking into FYE to buy 2Pac’s All Eyez On Me, Jay-Z’s Blueprint and Lil Kim’s Hardcore. These albums still sit in the backseat of a 2001 purple Mazda that’s in dire need of a new engine. Two out of three of those albums sit in my iTunes, on a hard drive that’s in dire need of a Norton Full-System Scan (goddam you Big Booty Hipsters Vol. 5..and 6).

Our method of obtaining music in 2014 might be different, but the music is the same. It's music. The biggest difference is the overall experience; my father can launch into nostalgic spiral of stories that surround these albums and their purchase. All I could really do is delve into how much I love Gangster Rap Talk. Now that I’m older, I want to follow in his dated footsteps, knowing that a big change is coming and the CD-R will eventually become much like the cassette, on the brink of extinction. To my surprise, a change seems to be coming faster than I anticipated.

When the rumors started to circulate that J.Cole would be releasing a “secret” album, I assumed it was a hoax. My day doesn’t officially begin until Twitter kills three childhood movie stars and I see a fake Frank Ocean tracklisting. I placed this Jermaine album in the same box of manure. I’ll admit his current, rough appearance is taken from Jay-Z’s album preparation playbook, and he has been as quiet as Wendy Williams in a room with Timbaland, Missy Elliott and R. Kelly, but a last minute album to close the year just felt far-fetched. Well, I was wrong, and J.Cole will be dropping his third studio album, Forest Hills Drive, on December 9. He’ll be going to war with Lil Wayne's vaguely anticipated but still potential soundscan juggernaut Tha Carter V (Part 1). There will be no single, or releases of any kind. In three short weeks we will hear the album in its entirety. That’s about the time it took Frieza to reach his final form on Namek.

How to get voter card. Information on registering to vote and updating voter registration information in each. You to take care of this task while applying for a driver's license or ID card. Oct 29, 2018 - About half of the states with voter ID laws accept only photo IDs. A free voter photo ID card if you don't have another form of valid photo ID.

The fans are anxious, like children that just got word that their least favorite teacher is pregnant by the janitor and are counting down the days until her maternity leave. There’s an exciting spark in the air, a wonderlust that can only be summoned by the looming unknown. Yesterday, we didn’t even know it existed, and now we hunger for Cole's album like hipsters when they see iPhone blueprints.

Cole – 2014 Forest Hills Drive (2014), mp3, 320 kbps. Drobovi4ok2014 Leave a comment “2014 Forest Hills Drive” track listing: 01. January 28th 03. Cole - 2014 Forest Hills Drive zip download J. Cole - Apparently leak download J.

Deep down though, I wish we never knew, that the secret was still contained and December 9 had the magic of Beyonce’s surprise album. That night was pure disorder and madness. It was like people lacked the mental capacity to comprehend that a new Beyonce album appeared out of a magician’s hat. Never-before-heard songs, never-before-seen videos, the beehive buzzed for days. It’s safe to say Cole’s album is an aftershock of Beyonce's quake, inspired by the campaign-less campaign. We don’t know the features, the song titles, we don’t know anything, and that goes against every marketing rule that has been implemented in the digital age. We need selfies in the studio, Breakfast Club interviews, behind-the-scenes footage of the coming soon behind-the-scenes video of the video. Cole is delivering nothing but music, and I love it.

But what if Forest Hills Drive is an aftershock that inspires even more quakes? Can you imagine waking up every day jubilant about the idea that an album is dropping and you have no idea what’s on it? Surprise releases create an experience, one where the product isn’t diluted by pushbacks, leaks or half the album being pushed to blogs (cough, cough). All the excitement that is spawned by the sudden release is surged into social media; the connection will also allow us to have a united experience, like watching The BET Awards, minus the fashion slander. I’m not looking forward to the disastrous music reviews that will follow. Blogs are too competitive about being first, without an advance copy, I’m imagining the album reviews will be 50% gifs and 50% memes, and very little substance. Unless journalists adapt, embrace the surprise, enjoy with the public, and dissect in private. Really get their hands dirty, same with interviews – there’s no reason for generic questions when you have an album worth of questions waiting to be asked. I loved that about Yeezus, seeing Kanye speak about the project after it was received by the public.

As I type this someone is downloading Jaden Smith’s new album. Not through iTunes, Soundcloud, Bit Torrent or Zippyshare but straight from the iPhone App store. Call the kid crazy, but packaging your album as an ad-free, application for iPhones is creative. Yeah, Jay Z tried it with Samsung, but I feel like the idea and video campaign was more impactful than the actual lasting effects. Jaden’s album was also spontaneous; warning of the release came as a tweet a few hours before the link was liberated.

This is a direct-connection to fans. No need for blogs, or a mailing list to play middleman. We are stepping into the age where all the traditional rules and regulations are being dismantled before our very eyes. The seeds are being planted, sadly in digital soil. As we cross one bridge, what is left behind will become an after-thought, a piece of an old regime. Those Tuesday trips to Best Buy that have become calls to Comcast about WiFi issues will someday become 'trips' to the app store. This progress is good; J.Cole is giving us a moment we won’t forget. He has our attention. If he drops his “magna-opus,” then I might have to dust off the word “classic.” Is there any other word for when timeless music meets a culture-altering experience? Yes, that’s exactly what that word was born to describe. And then what if Forest Hills Drive becomes the standard? What if every artist releases their project without pre-announced releases dates and pre-release marketing campaigns? What then? Is it already happening? Has it already happened?

We'll find out on December 9. See you then.

(By Yoh, aka The Hakuhō Shō of Rap Blogging, aka @Yoh31.)

2014 Forest Hills Drive is the third studio album by American rapper J. Cole. It was released on December 9, 2014, by ByStorm Entertainment, Columbia Records, Dreamville Records and Roc Nation. Recording sessions took place over the whole year, while the production on the album was primarily handled by Cole himself, along with several others such as Illmind, Vinylz, Phonix Beats and Willie B. It was announced three weeks before its release and had very little marketing, with no singles or promotion taking place prior to its release. The album was supported by four singles: 'Apparently', 'Wet Dreamz', 'No Role Modelz' and 'Love Yourz'.

2014 Forest Hills Drive received generally positive reviews from critics who admired its ambitious concept, production and lyrics. The album debuted at number one on the US Billboard 200, selling 353,000 copies in its first week. It was nominated for Best Rap Album at the 2016 Grammy Awards. The album won Album of the Year at the 2015 BET Hip Hop Awards, and Top Rap Album at the 2015 Billboard Music Awards. The single 'Apparently' was nominated for Best Rap Performance at the 58th Grammy Awards. As of September 2015, the album has sold one million copies in the United States. By doing so, J. Cole earned his first million-selling album in the country.^[2] The album was certified double platinum by the Recording Industry Association of America (RIAA) in October 2016.

• 3Release and promotion
• 4Critical reception
• 8Charts

Background[edit]

The album's title is the address of a home in Fayetteville, North Carolina, where Cole lived from his early youth, until 2003. Cole lived at the property with his mother, his brother and his stepfather, and was the location where Cole wrote some of his earliest songs, and decided to pursue a career as a musician.^[3] The property was soon foreclosed on after Cole departed Fayetteville to attend St. John's University in New York City.

In 2014, Cole bought the house, and was the first home he had purchased.^[4] The album's title is used to recount Cole's upbringing, and the transition from leaving North Carolina to New York; it battles with the transitions that were taken in order to find his success and fame within the music industry. Cole soon put the home up for an 'extremely cheap' renting price, in the hope that any struggling residents could use it to progress their lives, without having to worry about frequent moving, an experience Cole underwent due to frequent financial struggles.^[5]

Recording and production[edit]

On August 15, 2014, Cole released the song 'Be Free', as a response to the shooting of Michael Brown in Ferguson, Missouri.^[6] In an interview with NPR's Microphone Checkradio show, Cole revealed that the song was recorded the same week he recorded the song 'Intro' from 2014 Forest Hills Drive, but was never intended for the album.^[7] In September 2014, during an interview with HipHopDX, Bone Thugs-n-Harmony's manager Steve Lobel revealed Krayzie Bone and Bizzy Bone recorded a track with Cole for the album, though the song never made the album's final cut.^[8] The production on the album was primarily handled by J. Cole, along with its guest productions, including Dreamville's in-house producer Ron Gilmore, DJ Dahi,^[9]Illmind,^[10]Willie B,^[11] Phonix Beats,^[12]Vinylz^[13] and Pop Wansel, with additional production provided by Cardiak^[14] and CritaCal,^[15] among others.^[16][17]

Release and promotion[edit]

On November 16, 2014, Cole released a video trailer, where he announced he will be releasing his third album, titled 2014 Forest Hills Drive on December 9. The video also featured footage regarding the making-of the album. Additionally, the album's name sake was revealed to be the address of Cole's childhood home in Fayetteville, North Carolina.^[18][19] Cole held a listening session at the home on 2014 Forest Hills Drive where he invited a select group of fans to hear the album.^[20][21] On February 13, 2015, Cole announced he would further promote the album with a tour called Forest Hills Drive.^[22] The tour was divided into three different acts. 'Act 1: Hometown', 'Act 2: The Journey' and 'Act 3: Hollywood'. Act 1 started on March 2, 2015, in Eugene, Oregon and ended on April 7, 2015, in Providence, Rhode Island, it featured Dreamville artists such as Bas, Cozz and Omen, who were also served as supporting acts on Act 2 and 3.^[23] Act 2 started on April 30, 2015, in Zürich, Switzerland and ended on May 18, 2015, in London, England, it featured Jhené Aiko and Pusha T. Act 3 was the longest leg of the tour, it started on July 12, 2015, in Seattle, Washington and ended on August 29, 2015, in Cole's hometown Fayetteville, North Carolina, and featured Big Sean, YG and Jeremih.^[24][25] Cole brought out Drake and Jay-Z to perform at the last show in Fayetteville, North Carolina.^[26] The tour sold over 570,000 tickets worldwide and grossed $20.4 million.^[27]

On December 15, 2015, Cole announced a mini-documentary series titled, J. Cole: Road to Homecoming ahead of his special Forest Hills Drive: Homecoming, and released episode one the same day.^[28] Episode two was released on December 23.^[29] Episode three was released on December 30, Kendrick Lamar, Wale, ASAP Ferg and Rihanna made appearances.^[30] Episode four was released on January 6, 2016.^[31] All episodes were available for free on Vimeo until January 9. Forest Hills Drive: Homecoming aired January 9, 2016, on HBO and HBO Now.^[32] On January 28, 2016, in celebration of his 31st birthday, Cole released his first live album titled, Forest Hills Drive: Live^[33] and also released the music video for the album's final single 'Love Yourz'.^[34] Both Forest Hills Drive: Homecoming and Forest Hills Drive: Live covered his fall 2015 show at the Crown Coliseum in Fayetteville, North Carolina.^[35]

From here, it is as simple as reading the named fields from the message, and using that data in whatever way that you want in your application. ) rospy.loginfo('Linear Components: [%f,%f,%f]'%(msg.linear.x, msg.linear.y, msg.linear.z)) rospy.loginfo('Angular Components: [%f,%f,%f]'%(msg.angular.x, msg.angular.y, msg.angular.z)) # Do velocity processing here: # Use the kinematics of your robot to map linear and angular velocities into motor commands v_l =. We can then create a callback function (called callback), which accepts the message as a parameter msg. # Then set your wheel speeds (using wheel_left and wheel_right as examples) wheel_left.set_speed(v_l) wheel_right.set_speed(v_r) def listener(): rospy.init_node('cmd_vel_listener') rospy.Subscriber('/cmd_vel', Twist, callback) rospy.spin() if __name__ == '__main__': listener() In this example, we create a node called cmd_vel_listener that subscribes to the /cmd_vel topic. #!/usr/bin/env python import roslib; roslib.load_manifest('YOUR_PACKAGE_NAME_HERE') import rospy import tf.transformations from geometry_msgs.msg import Twist def callback(msg): rospy.loginfo('Received a /cmd_vel message!'

Singles[edit]

'Apparently' was serviced to American mainstream urban radio, as the album's first single on December 9, 2014.^[36] Cole would also go on to release the music video for 'Apparently' on the same day.^[37] The song has since peaked at number 58 on the US Billboard Hot 100.^[38] The song was nominated for Best Rap Performance at the 58th Grammy Awards.^[39] The song was also nominated for The Ashford & Simpson Songwriter's Award at the 2015 Soul Train Music Awards^[40] and Impact Track at the 2015 BET Hip Hop Awards.^[41]

The album's second single, 'Wet Dreamz', was released to rhythmic contemporary radio on April 14, 2015.^[42] On April 21, the music video was released for 'Wet Dreamz'.^[43] The song has since peaked at number 61 on the US Billboard Hot 100.^[38] On June 16, 2016, 'Wet Dreamz' was certified platinum by the Recording Industry Association of America (RIAA).^[44]

The album's third single, 'No Role Modelz', was sent to urban and rhythmic radio stations on August 4, 2015.^[45][46] The song has since peaked at number 36 on the US Billboard Hot 100.^[38] On May 2, 2016, in an interview with Larry King Now, actress Nia Long was asked about a line from the song where Cole raps, 'My only regret was too young for Lisa Bonet, my only regret was too young for Nia Long, now all I'm left with is hoes from reality shows, hand her a script the bitch probably couldn't read along.' She responded by saying, 'He's really not too young, he just doesn't know it.'^[47] The song was certified platinum by the Recording Industry Association of America (RIAA) on May 18, 2016.^[48]

Cole released the live music video for 'Love Yourz' on January 28, 2016, the music video was filmed during his Forest Hills Drive Tour,^[34] and on February 27, 2016, 'Love Yourz' was released as the album's fourth and final single.^[49] The song was included in Sprite's 'Obey Your Verse' campaign in 2016 where 16 lyrics from 2Pac, Missy Eliiot and Cole were emblazoned on Sprite soda cans and bottles.^[50] The song won Impact Track at the 2016 BET Hip Hop Awards.^[51] 'Love Yourz' charted at number 34 on the US Twitter Top Tracks on February 13, 2016.^[52] The song has since peaked at number 25 on the US R&B/Hip-Hop Airplay.^[53]

Other songs[edit]

On December 5, 2014, Cole released a music video for the song 'Intro'.^[54] On December 13, 2014, rapper Waka Flocka Flame released a freestyle over the song 'Fire Squad'.^[55] On March 23, 2015, a music video was released for 'G.O.M.D.'.^[56] On November 27, 2015, in celebration of Black Friday, Cole and rapper Kendrick Lamar released two separate tracks, both titled 'Black Friday'.^[57][58] Lamar remixed Cole's 'A Tale of 2 Citiez',^[59] while Cole remixed Lamar's single 'Alright' from his studio album To Pimp a Butterfly.^[60] Rappers Styles P and Juicy J also released freestyles over 'A Tale of 2 Citiez'.^[61][62]

Critical reception[edit]

2014 Forest Hills Drive received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 67, based on 17 reviews.^[64] Erin Lowers of Exclaim! said, 'He shines without any features, standing strong in his delivery and carrying his story to the forefront of the 13-track project. While it may not be his Late Registration, he has definitely graduated into a class of his own.'^[67] Andre Grant of HipHopDX stated, 'It is less artistic than it means to be, but it is truer than anything he's ever made. Its narrative, the tropes, and the strategies are completely overcome by the album's terrifying integrity.'^[75] Craig Jenkins of Pitchfork said, '2014 Forest Hills Drive is a decent album selling itself as great. It wraps itself in the garments of a classic, but you can see that the tailoring is off.'^[70] Kellan Miller of XXL stated, 'With every quality drop from the self-proclaimed 'God', his ceiling will continue to grow and so will fan expectations.'^[74] David Jeffries of AllMusic said, '2014 Forest Hills Drive comes off as a great, experimental, and advancing mixtape, but it's insider to a fault, as slight as that fault might be.'^[65] Jesal 'Jay Soul' Padania of RapReviews.com said, 'He been afforded a rare amount of artistic freedom on 2014 Forest Hills Drive and there aren't even any singles, so it's great that he's more or less delivered. But whilst this definitely misses out on classic territory, that doesn't mean it isn't a bloody good album for the most part.'^[76]

Marshall Gu of PopMatters said, 'On 2014 Forest Hills Drive, we've still got the same ol' Cole, but with diminishing returns and without any friends to help him.'^[77] David Turner of Rolling Stone said, 'He speaks some incisive truths about class, race ('Fire Squad') and relationships ('Wet Dreamz'), but those insights are too often undercut by crass humor. The production falls short, too, with dull beats to match his languid flow.'^[71] Jason Gubbels of Spin said, 'Cole's keen sense of injustice registers throughout 2014 Forest Hills Drive, whether slagging white artists for artistic thievery or seething over national media outlets pigeonholing black genius into sports/pop either / ors.. But the absence of 'Be Free' still detracts. Unless you're the type of moviegoer who sits patiently through the end titles, feel free to duck out of 'Note to Self' a bit early and head over to SoundCloud.'^[72]Robert Christgau named 'Wet Dreamz' and 'Love Yourz' as highlights while summing the album up as being 'full of the kind of good intentions the road to irrelevance is paved with'.^[66]

Accolades[edit]

Awards[edit]

Commercial performance[edit]

2014 Forest Hills Drive debuted at number one on the US Billboard 200, selling a total of 371,000 copies, with 353,000 copies consisting of whole album sales and the remaining 17,000 copies determined based on individual song sales and streaming data. This is a tracking change that was implemented by Nielsen SoundScan and Billboard in December 2014.^[92]2014 Forest Hills Drive became the best first week sales of J. Cole's career, outpacing the first week sales of his second album Born Sinner (2013), by 74,000 copies (297,000 copies).^[93] In addition to the album's sales toppling early projections by over 100,000 copies, 2014 Forest Hills Drive also broke One Direction's record for most album streams on Spotify, being streamed over 15.7 million times in its first week, compared to One Direction's 11.5 million streams.^[94]Drake later broke this record with 17.3 million streams for his mixtape If You're Reading This It's Too Late.^[95] In its second week, the album sold 135,000 more copies.^[96] Cole became one of only six rappers to reach number one with their first three full-length studio albums, others being Drake, Rick Ross, Nelly, DMX and Snoop Dogg.^[97] In October 2016, the album was certified double platinum by the Recording Industry Association of America (RIAA) for combined sales, streaming and track-sales equivalent of two million units.^[98] As of December 2016, the album has sold 1,240,000 copies in the United States.^[99]

In 2015, 2014 Forest Hills Drive was ranked as the eighth most popular album of the year on the Billboard 200.^[100]

Track listing[edit]

Notes^[101]

• ^{^[a]} signifies a co-producer
• ^{^[b]} signifies an additional producer
• 'January 28th' contains additional vocals performed Kaye Fox
• 'A Tale of 2 Citiez' contains additional vocals performed by Kaye Fox, T.S. Rose DeSandies and Yolanda Renee
• 'St. Tropez' contains additional vocals performed by T.S. Rose DeSandies
• 'No Role Modelz' contains additional vocals performed by Kaye Fox
• 'Hello' contains additional vocals performed by Kaye Fox
• 'Note to Self' contains additional vocals performed by T.S. Rose DeSandies and Yolanda Renee

Sample credits

• 'January 28th' contains a sample of 'Sky Restaurant', written by Yumi Arai and Kunihiko Murai, and performed by Hi-Fi Set.
• 'Wet Dreamz' contains a sample of 'Mariya', written by Charles Simmons and performed by Family Circle; and a sample of 'Impeach the President', written by Roy Hammond and performed by The Honey Drippers.
• '03' Adolescence' contains a sample of 'Here's That Rainy Day', written by Johnny Burke and Jimmy Van Heuse, and performed by Sonia Rosa and Yuji Ono.
• 'Fire Squad' contains a sample of 'Heart Breaker', written by Mark Farner and performed by Aguaturbia.
• 'St. Tropez' contains a sample of 'That's All Right With Me', written by Mayfield Small and performed by Esther Phillips; and a sample of 'Sister Sanctified', performed by Stanley Turrentine and Milt Jackson; and contains an interpolation of 'Hollywood', written by Andre Fischer and Dave Wolinski, and performed by Rufus and Chaka Khan.
• 'G.O.M.D.' embodies a portion of 'Get Low', written by Deongelo Holmes, Eric Jackson and Jonathan Smith, and performed by Lil Jon & the East Side Boyz featuring Ying Yang Twins; and a sample of 'Berta, Berta', written by Delroy Andrews and performed by Branford Marsalis.
• 'No Role Modelz' contains a sample of 'Don't Save Her', written by Marvin Whitemon, Paul Beauregard, Jordan Houston, Tenina Stevens, Earl Stevens, Dannell Stevens and Brandt Jones, and performed by Project Pat.
• 'Apparently' contains a sample of 'La Morte Dell'ermina', written and performed by Filippo Trecca; and a sample of 'CB#5', written and performed by Carlos Bess.

Personnel[edit]

2014 Forest Hills Drive Download

Credits for 2014 Forest Hills Drive adapted from AllMusic.^[102]

• Jermaine Cole – primary artist, producer
• Mark Pitts – executive producer
• Ramon Ibanga, Jr. – producer
• Anderson Hernandez – producer
• William 'Willie B' Brown – producer
• Pop Wansel – producer
• Darius Barnes – producer
• Ronald Gilmore – additional production, bass, keyboards, producer
• Jproof – producer
• Nate Jones – bass
• David Linaburg – guitar
• Nate Alford – engineer
• Travis Antoine – trumpet
• Anthony Blasko – photography
• Felton Brown – art direction, graphic design
• James Casey – saxophone
• Chargaux – strings
• Jeremy Cimino – assistant engineer
• Damone Coleman – sampling
• Juro 'Mez' Davis – engineer, mixing
• T.S. Rose Desandies – vocals (background)
• DJ Dahi – beats
• Dreamville Records – executive producer
• Kaye Fox – vocals (background)
• Jeff Gitelman – guitar
• Justin Thomas Kay – art direction, graphic design
• Sean Kellett – assistant engineer
• Raphael Lee – string engineer
• Nuno Malo – strings
• Jack Mason – horn engineer
• Carl McCormick – instrumentation
• Nervous Reck – sampling
• Calvin Price – instrumentation
• Yolanda Renee – vocals (background)
• Roc Nation – executive producer
• James Rodgers – trombone (bass)
• Adam Rodney – creative director
• Team Titans – additional production
• Andre 'Dré Charles' Thomas – additional production
• Timothy 'Nick Paradise' Thomas – additional production

Charts[edit]

Certifications[edit]

Release history[edit]

See also[edit]

References[edit]

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Further reading[edit]

• Pizzo, Mike 'DJ' (2015). 'How Kendrick Lamar & J. Cole Rebooted Conscious Rap'. Cuepoint.

External links[edit]

• 2014 Forest Hills Drive at Discogs (list of releases)