They waitin’ on Kendrick like the first and the 15th,” goes Kendrick Lamar on his new album, and hes right. One direction songs free mp3 download. After a long string of mixtapes and last years independently released LP Section.80, the 25-year-old Compton rapper signed with Aftermath/Interscope and began work on his major-label debut proper, good kid, m.A.A.d city, one of the year’s most rapturously anticipated full-lengths. But not only have they rap fans in general, lets postulate been waiting on Lamar himself, theyve also been waiting on what he is. Armed with a dizzying array of technical gifts and an auteurist approach that’s historically been all but foreign to others of his ever-increasing hype, he just might be the most unique MC to emerge since André 3000. And with good kid, Lamar has given us the most comprehensive look yet at his absurd amount of raw talent.
Though its not being billed as a concept album, good kid does have something like a storyline. Often set in Compton during Lamar’s teen years, it’s an album about beginning with as much innocence as anyone anywhere but eventually facing so many external pressures, be they drugs, gang activity, or poverty, that keeping the naivety intact is close to impossible. These songs are by no means all doom and gloom – the Drake-featuring, Janet Jackson-sampling “Poetic Justice” is a bedroom jam, plain and simple – but there seems to be something threatening at every corner, with Lamar asserting that “even a small lighter can burn a bridge.”
User reviews & ratings for the album good kid, m.A.A.d. City by Kendrick Lamar. See how this album was rated and reviewed by the users of AoTY.org. The album has an undeniable West Coast feel to it. But easily the best thing about Good Kid Maad City is its concept. The story this album has to tell is gripping, exposing the dark underbelly. Oct 23, 2017 - If you know me, you know my undying love for good kid, m.A.A.d city, Kendrick Lamar's second studio album. Released exactly five years ago.
Opener Sherane a.k.a. Master Splinters Daughter unfolds a tale of a high-school Lamar headed to meet a local girl “with nothing but pussy stuck on my mental, and it’s one of the albums most innocent narrative moments. By the time The Art of Peer Pressure rolls around three tracks later, Lamar is puffing on a blunt even though Usually, I’m drug-free and probably bout to catch my first offense for robbing the trunk of a car. And once the 12-minute Sing About Me, Im Dying of Thirst really locks in, the album hits its emotional peak, with Lamar quoting a recent conversation with a friend (And if I die before your album drop, I hope”) that ends with three gunshots. Its actually a fairly understated moment, but chilling nonetheless.
Already Grantlands Sean Fennessey has calledgood kid the best-rapped album you’re liable to hear this year, but it also might be the most dazzling display of MCsmanship of the last half-decade or more. Here, Lamar toys with every register of his impossibly elastic voice and blazes through double- and triple-time flows like they’re nothing. But just as impressive as all that is that he knows how to use his technical gifts, adjusting his cadence in order to get the utmost out of every last line: He approaches Minaj-ian levels of animation on the stomping “Backseat Freestyle, while the easy-riding “The Art of Peer Pressure” finds him more tranquil, making sure every syllable is perfectly audible. It’s hard to get enough of such virtuosic control. Cara merubah pdf jadi jpg.
Its major-label backing and having been executive-produced by the increasingly artless Dr. Dre had people worrying that good kid would be a trudge through pop excess but rest assured, there’s no I Need a Doctor” here, or anything close. The album wades through a myriad of sounds, from clacking Southern stomp (m.A.A.d city) to exceedingly suave R&B (Poetic Justice) to hard-knocking West Coast grandeur (the Dre-featuring “Compton”), but none of it’s so gaudy as to guarantee endless airplay. Instead, these are songs that, miraculously, put more emphasis on atmosphere than hooks or commercial potential. Somehow, the beats — often swathed in tight bass ripples, wafting background vocals, and twinkling piano-taps — are simultaneously modest and completely pristine.
It’s a testimony to the album’s supreme unity that neither Lamar’s much-buzzed-about Lady Gaga collaboration “Partynauseous”, his Dre-featuring “The Recipe”, nor the Gunplay-assisted “Cartoon & Cereal” three tracks that share little to nothing with good kid‘s arc made it onto this thing. Were this not a record so inexhaustibly committed to its vision and story, all three of those likely would have made the cut the last two are among the best rap songs of the year, and the yet-to-be-released Gaga track already has the DNA of a hit. In this era of major-label rap records being constantly stifled by everything from incongruous guest appearances to overall sonic overload, Lamar has bypassed the norm by producing an album that’s damn near unimpeachable. The wait for Lamar and all he represents isn’t just over. We now have an album from him so masterful that it’d be greedy to ask for much more.
Essential Tracks: “Bitch, Don’t Kill My Vibe”, “Backseat Freestyle”, “Poetic Justice”, and “Sing About Me, I’m Dying of Thirst”
Feature artwork by Cap Blackard:
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The best concept records still have fabulous singles. There is a reason that people know ‘Juicy’ by the Notorious BIG, ‘Mercy Mercy Me’ by Marvin Gaye, or ‘Ziggy Stardust’ by David Bowiedespite maybe never hearing the full albums that feature them. Those singles alone are strong enough that even someone with just a casual knowledge of the albums they come from, can’t deny the talent that is behind them. The same could be said for ‘B__ch, Don’t Kill My Vibe’ or ‘Swimming Pools (Drank)’ from Kendrick Lamar’s major-label debut, Good Kid, mAAd City.
Since K Dot released Good Kid, mAAd City on 22October 2012, the album not only holds a place in the hip-hop cannon but it shifted the culture. It’s even been incorporated into the curriculum in several universities.
The Good Kid, mAAd City cover art features a childhood Polaroid of Kendrick with his uncles and grandfather. There is a baby bottle, a 40-oz bottle and one uncle is flashing a gang sign. In the background is a picture on the wall featuring Kendrick and his father. Everyone’s eyes are blacked out. Speaking on the cover art, Lamar says, “That photo says so much about my life, and about how I was raised in Compton, and the things I’ve seen, just through them innocent eyes. You don’t see nobody else’s eyes, but you see my eyes are innocent, and tryna figure out what is goin’ on.”
The title on the cover also reads: “a short film by Kendrick Lamar”. This is not an accident. Good Kid, mAAd City is cinematic and tells a gripping specific narrative. It’s a day in the life of the protagonist, K Dot, as he becomes Kendrick Lamar and in it, hooks up with his girl, robs a house, and goes through misadventures, which makes him question hood politics.
The first track, ‘Sherane aka Master Splinter’s Daughter’ isn’t really the beginning of the story but rather sets the stage. Picture the beginning of Reservoir Dogs and the now infamous Madonna and ‘No Tipping’ monologues. They don’t necessarily push the story forward but they create the world that you’re about to step into. In this song, you step into the mindset of Lamar’s persona, K Dot, who’s the protagonist of the story. K-Dot, is meeting with a girl named, “Sherane” and much like in a Tarantino film, the story doesn’t exactly follow one thread. It’s filled with fits and starts, twists and turns.
The skits following the songs are concise but actually feature Kendrick’s friends and mother and father. They’re what pull the story completely together. The skit after ‘Sherane a.k.a Master Splinter’s Daughter’ has Kendrick’s mother and father wanting him to bring her van back to the house. A picture of this van is also featured on the deluxe version of the record.
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The single, ‘B__ch, Don’t Kill My Vibe’ also serves as sort of an introduction and is more about the state of hip-hop. The original version feature guest vocals by Lady Gaga and was titled ‘Partynauseous’. However, timing issues came up and ultimately her version didn’t end up on the album. She later released it herself to Lamar’s surprise. The skit that ends ‘B__ch, Don’t Kill My Vibe’ once again pushes the story along. In it we hear K Dot’s friends telling him to meet them in the car where they have a beat CD.
‘Backseat Freestyle’ and ‘The Art of Peer Pressure’ naturally flow together. The former tells a story about K Dot freestyling with his friends in the car dreaming like “Martin had a Dream/Kendrick have a dream” and that they will make their mark. The song captures a vivid amount among close friends and the simple joys of hot boxing a car and freestyling with friends, then it sets the stage for, ‘The Art of Peer Pressure’, which is a major development in this narrative.
A seemingly innocent caravan with friends ends up being a night of smoking and drinking and robbing someone. There’s less bravado with this but more of an internal conflict. Despite the situation, you’re still rooting for K Dot and relieved when he eludes the cops. He’s then faced with a dilemma, does he fellow the path of his peers, or keep his head down and make that money, which leads to ‘Money Trees’.
‘Poetic Justice’ brings us back to the beginning of the story with Sherane. A group of men jump K Dot just because he’s from a different hood. He realizes even after robbing a house that the predator can just as easily become the prey.
‘Good Kid’ and ‘mAAd City” are linked as well. ‘Good Kid’ is about the eternal struggle of the hood. How can someone survive in a world where the question is whether you wear red or blue and where you are from? This song is another turning point in the narrative. K Dot wonders if he can make it out alive. Engineer, MixedByAli, explained further in an interview in Complex how “being a good kid is being stuck inside of the box and how [he] has no choice but to ride along on the drive-by shooting, have no choice but to go into the houses and rob, because this is what he’s around”. He’s just going with his people.
He’s once again faced with the double-edged sword of gang life on ‘mAAd City’. If he doesn’t follow the way of the gang, he has no protection. However, if he aligns himself with a gang, it makes him more of a mark for violence. The song is split into two parts: starting with a slow intro before building up to a hard club beat. Legendary West Coast MC Eiht makes a guest appearance on this track in what is yet another moment where Kendrick gives a salute to the Compton hip-hop sound that came before him.
To the casual listener, ‘Swimming Pool (Drank)’ sounds like a party jam, but if you listen closely it’s more of a cautionary tale. At this point in the story, Kendrick’s friends decide to seek revenge against the people who stomped Kendrick earlier, resulting in the death of his friend’s brother, Dave.
‘Sing About Me’ has Kendrick thinking about tragedies that have impacted his life. The first the aforementioned Dave, the second a sister of a prostitute who was the subject of a song in Kendrick’s debut release. Finally, we hear ‘Kendrick’ for the first time questioning his life as K Dot. The song represents being baptized and finding oneself.
Maad City Lyrics
By the end of Good Kid, mAAd City, you’ve come to understand that K Dot’s previous view that “money, power, respect” being the end all be all is dangerous code to live by. And that ‘Real’ is a reflection of what could have been. “That’s the start of me recognizing everything I was doing throughout that day, it wasn’t real,” Lamar said. “Everybody has their own perception of what a ‘real ni__a’ is. Most of the time a real ni__a is a street cat or someone putting in some type of work and doing violence. That’s what we thought they was. But on that record, it was me getting an understanding of what real is.”
The ending track ‘Compton’ could have appeared early in the story, though some liken it to what plays during the credits of this narrative album. It can also signify the cycle starting over or a wink at what new chapters bring.
Kendrick Lamar’s Good Kid, mAAd City is available to buy here.